I’m getting used to this grand tour style
of travel – gallivanting from one part of the world to the next in search of
enlightenment, that in our case comes dressed as more pink wine, more art, more
food, more architectural and geographical appreciation and more pink wine.
Today was our last day in Nice. Already.
It’s been a beautiful, relaxing, ideal couple of days, an ideal post-script to a brilliant, curious week spent exploring Provence.
On our last day in Provence we drove to the breath-taking Pont du Gard, built a casual 2000 years ago, for a moment of historical awe before heading on to lunch in the delightful Seguret. It was then on to Mt Ventoux. Driving up Mt Ventoux was both spectacular and spectacularly carsick inducing.
I don’t
remember much of the drive (I may have fallen into a delicious post-lunch nap on
the backseat...) but I woke to find us half way up the mountain and winding our
way perilously along narrow roads that clung to the mountainside less like a
petulant toddler than a flimsy piece of material overwrought with static. It
was sickeningly spectacular. Winding, winding, winding, literally up through the clouds, passing desperate huddles of
cyclists to the very top, where it was covered in snow and whipping with a gale
force wind.
And then winding, winding, winding all the
way back down. Vertigo and nausea aren’t the greatest of companions but
thankfully my lunch stayed put. And even through the rising bile of grey I
could appreciate how truly stunning the area was.
And then, just to round out a day of momentous
manmade and natural wonders (and I include Max’s dessert in that…) on the way
home we stopped at Fountaine-de-Vaucluse to marvel at the source of the Sorgue
river. Water pounds heavily from this small spring that is so deep no-one yet has been
able to measure its depth. For all the thumping water and tourist tat that
lines the walk, it felt surprisingly spiritual.
It was a pretty lovely end to the week in
Provence.
Though it’s been pretty nice in Nice too I
have to confess.
We've had a cruisy couple of days – exploring
the old town, eating great food, sticking tentative toes in the still-too-cold
Mediterranean and wishing forlornly for a heatwave that would mean pulling out my
swimmers at last, but otherwise enjoying the warmth and sunshine and charm of
Nice.
Our first day really set the bar, and that
was before we’d even got into Nice itself. Half an hour out of Nice, on the
approach, is a set of small towns called Vence and St-Paul-de-Vence, which possess an incredible art history that I was keen to drag the family through before we
got to the gelato and the sun soaking.
Thankfully the first history lesson came dressed as
lunch.
Colombe d’Or in St-Paul-de-Vence is a
rather posh hotel with a rather lovely terraced garden where you can sit and have
lunch with the ghosts of Picasso, Matisse, Braque, et al. The hotel used not to
be so posh – just with an advantageous location and a rather nice view. For a
number of years the likes of Picasso and his pals would come to Colombe d’Or to
eat and stay and in exchange for board and lodging they would pay with a work
of art – a casual sketch, a small sculpture – so that today, the walls of
Colombe d’Or drip with minor works by major 20th century artists.
The terrace comes with its own Leger, which is, frankly, just so fucking cool.
And the food wasn’t bad either.
And after lunch, it was on to Vence, to
visit the Chapelle du Rosaire, which was designed and decorated by Matisse
during the last years of his life as a thank you present to the Dominican nuns
who had cared for him while he underwent treatment for cancer.
It’s a modest, modern building and the stained glass windows and wall paintings are pure Matisse in their bold lines and striking colour. There’s a distinct lack of heavy-handed, sombre visual religiosity that brings a lightness to the encounter, both intellectually and visually. It’s a calm, contemplative space and sitting there, it’s impossible not to think about Matisse reflecting on his own mortality as he went about realising his vision. It was a brief, poignant visit and then it was on to Nice.
There hasn’t been a whole lot of culture since getting here and holing up in our little apartment in the old town, though we made a short visit to the Museum of Modern and Contemporary Art on Sunday that was pretty disappointing. The installation by Arne Quinze on the forecourt was the only good thing about it. I don’t think they’ve changed the permanent collection much at all since I was last here in 1999, which probably explains why it felt so tired. But on the upside it meant we’d ticked the culture box for Nice (token gestures absolutely count) and could get on with the gelato.
Today it was all about the flea market.
Taking over Cours Saleya a block back from the beach, I could have completely wiped
myself out financially given half a chance. As it stands I’ve already taken
quite a hit to the pocket and I’m putting the consequent dizziness down to the
thrill of the find and not the financial wound to my holiday savings, given we
still have a week to go and I've been reduced to counting coins…
Oh well. If I’m going to be broke and
creatively budgeting for the next week (read: putting things on my Australian
credit card…) damned if I’m not going to look fabulous while I do it. Enter my
latest, greatest jewelled love: a blue and pink 1940s necklace replete with
diamante detail and a significant, literal weight.
I did force LB to look away while I
handed over my wad of euros as I’m acutely aware of the extent to which my issue
with accessorised extravagance appears unhinged. At least cleaning out my
wallet meant I wasn’t able to buy any one of the other million baubles and bits
that caught my eye. And look, it could have been worse. Max bought a 10kg tap.
At least I can wear mine.
Tonight we're packing because tomorrow we’re off to Mantua in northern
Italy for another three-day stint, our penultimate destination before Venice on
Friday. Not sure what Mantua will hold, beyond the small matter of a trip to
Modena for lunch at Osteria Francescana (see: issue with extravagance,
otherwise known as "Fuck It", or, "When In Europe"…)
It’s been more than nice, Nice. Merci
buckets.
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