Well 2013 has definitely been one for the
books. As its final moments eek away I’m still grappling with everything that I
saw, did, ate, accomplished, learnt, discovered and appreciated. I’m really not
ready for 2014 to start and feel like I’m being dragged along, heels firmly
entrenched, towards Getting On With Things when I’m still not ready to let go
of London. So, really, New Years Eve is the perfect excuse for some indulgent
looking back. And there’s a lot to twist the neck for….
Showing posts with label Tate Modern. Show all posts
Showing posts with label Tate Modern. Show all posts
Tuesday, 31 December 2013
Monday, 29 October 2012
Tino at Tate
A while back I wrote a list of all the shit I wanted to do once I
had finished writing and updating the book. Some of those things – washing, a
pedicure – I have managed, others – the Ai Wei Wei pavilion at the Serpentine
and Queen Art and Image at the National
Portrait Gallery – I failed abysmally to accomplish.
And so damn it if I was going to miss Tino at Tate.
I’d had FIFTEEN weeks to get to Tate to experience the Seghal and
to check out The Tanks before they closed for ongoing renovations and even the
night before it was odds-on we mightn’t get there. But get there we did – with
24 hours to spare.
Wednesday, 1 August 2012
Things I Want To Do When...
Am busy. Stupidly busy. Swigging diet coke at 3am busy. It's awful. I look awful. But soon - soon - it will be finished and normal transmission will resume.
Then I Will...
Then I Will...
Tuesday, 3 April 2012
Dancing In Peckham
Don’t be fooled by the title – I
didn’t go dancing in Peckham, Gillian Wearing did. In 1994 for the purposes of
art though she may have boogied since then too.
 |
| Gillian Wearing, Dancing in Peckham, 1994. |
I haven’t had a chance to get up close with
her new survey show at The Whitechapel yet, despite making a film with the
curator last week for work, but Dancing in Peckham is one of her most iconic
works and it happens to be in the collection of the SLG.
In the work, a
25-minute film piece, Wearing dances to music only she can hear in her head in
the middle of Aylesham Shopping Centre in Peckham. She gets down, she shakes
her ass, she rocks out, she thrashes her air guitar, dressed in mid-90s brown
flared cords while bemused, confused and concerned shoppers pass her by. It’s
so socially awkward and there’s an embarrassed sort of frisson between her
apparent lack of awareness and the acutely obvious fact that she recorded
herself doing it.
On Saturday night I was down in Peckham,
confronting some of my – fears? – perceptions? – pre-conceptions? - about
council estates and supporting the launch of the gallery’s Dancing in Peckham
project – 10 weeks, 10 locations in Peckham, 10 screenings of Wearing’s work.
The event, on Wyndham and Comber estate, coincided with an evening of film work
and a performance by some of the young people from the estates who’d been
working on a year-long project exploring movement, dance and the local environment.
 |
| Photos: Richard Eaton. Courtesy: South London Gallery |
The performance was genuinely great – not
quite a traffic stopper but absolutely a head turner for the passing cars – and
there was a confidence to it that really made it special. And seeing Wearing’s
work projected against the wall of the tenants and residents hall as the day
turned to night was really quite poetic and being out in the gritty concrete environment
and away from a traditional gallery space liberated her somehow. The
abandonment no longer uncomfortable – now, well, kind of fuck off cool.
It was a pretty special night really.
Which makes it two Saturdays in a row now
that I’ve been out and about in the name of work.
Last Saturday was an epic, Kusama-inspired
event at Tate Modern that involved interactive digital sculptures and a silent
disco, if you can believe that. It was a gorgeous day – as in, sunny and
beautiful and criminal to be indoors. But there you have it.
This weekend it’s Easter – Easter! - when did it become April already? Anyway
– an arty dinner and a country adventure are on the cards. Bring it.
Tuesday, 21 February 2012
Kusama, cocktails and a little bit of crazy
It would be a stretch to say I got to meet Yayoi Kusama two weeks ago.
It is true to say that if I *had* stretched I would have got within an inch of her thanks to an invite to the press view for her retrospective at Tate Modern. One of several art world perks that are increasingly coming my way these days. But I'll get to those.
We're doing a huge project with Tate at the moment around Kusama's show and so it was incredible to get the chance to explore the exhibition without the hoards and to really have the space and time to allow total absorption in her obsessively beautiful, dark, quietly poetic works. People think dots when they think Kusama and you do get dots here - lots of them - but the curation is so thoughtful that they go beyond any glib pop-esque moment to become a really powerful meditation on madness, infinity and beauty. Because they are beautiful....
 |
| Yayoi Kusama, Infinity Mirrored Room - Filled with the Brilliance of Life, 2011 |
In amongst the stress was schlepping out to Croydon in the snow and sub-zero temperatures to get my new visa, or Biometric Residence Permit, as they call it these days in yet another step to dehumanise, humiliate and overly manage you. £850 and four hours later and I'm allowed to stay for another two years. A new lease on London life but one I don't think we'll be renewing when the time comes.
Funnily enough the day after my visa adventure was Lovely Boy's and my three year anniversary. Three years since Lovely Boy first cooked me dinner, three years since we drank three bottles of wine to overcompensate for nerves and an anticipation for not quite sure what and three years since we first kissed at the 94 bus stop at Shepherds Bush at 2am drunk and dizzy and elated and freezing.
After finally getting to have our date with Grayson Perry we decided to honour our little anniversary with a re-enactment of all the key details except the 94 bus stop. We (Lovely Boy....) cooked butter chicken curry, we drank too much wine and we smiled a lot. It was a good night and a perfect moment to reflect on everything the last three years have brought us both.
The last week, despite a shitty few days at work, brought other bright moments in amongst the crazy. I got a very small pay rise - more gesture than largesse - but I'm grateful for it nonetheless, going some way as it does towards improving the balance on my budget.
Which is good - because apart from groceries, I have cocktails to save for. And a holiday.
 |
| The joys of Night Jar... |
From here we went for Vietnamese and from here we went to the back lounge at Callooh Callay on Rivington St. This detail (back lounge versus front lounge) is important only in that to get to the back lounge you have to walk, Narnia-like, through a wardrobe to get there.
Novelty factor or no, I completely loved it. The decor back here was Dali meets disco and again I can't remember the particulars of my drink but only because I remain distracted by the drink that was on the table across from us:
 |
| Look closer.... |
Yes, they are gnomes.
It was a great way to shake off the week and on Saturday Lovely Boy and I set to being grown ups by opening a joint account and doing the groceries. And making a collective decision to pull ourselves out of the doldrums by booking a holiday. And not just any holiday - but a holiday to New York. HELLS YES! I'm already thinking about what I'm going to pack. We found this amazing loft in Carroll Gardens in Brooklyn to stay in thanks to some savvy internet research and now we're to the planning. I cannot freaking wait. Something to soften the blow of Monday blues.
Tuesday, 7 February 2012
B is for...
BOY, LOVELY
Lovely Boy and I had a date on Saturday afternoon. More an attempt to re-engage with life in London than re-kindle any lost in the early days of marriage romance, we ventured out on Saturday afternoon with a plan....
BRITISH MUSEUM (see also: Perry, Grayson)
First stop was the British Museum. I've been wanting to take Lovely Boy to see the Grayson Perry exhibition since I saw it last year and this week I managed to wangle some free tickets and so we were off. And we were off, dressed in all our finest fleecy layers, anticipating the forecasted snow. But so, it turned out, was everybloodyone else.
As his teddy bear Alan Measles, Perry writes a very sardonic, very funny blog that takes pointed aim at the fatuousness of much of the art/celebrity world and there's a beautiful vase in his exhibition, titled You Are Here (2011) that lampoons the myriad reasons why people might flock to his show. Whatever their reason of choice on Saturday, it was so busy that despite our free tickets we couldn't get in. And so we've had to raincheck it for next Saturday. Which takes care of next week's date....
But because we were there, and because Lovely Boy had never been beyond the gift shop on a lunch break, and because the last time I was there I was an awkward, chubby, homesick teenager, we decided to have a wander. We spent maybe an hour perusing the sculptures in the Greek halls before heading up to the fourth floor to ogle the Egyptian mummies. And then having had enough of that we headed on to the next part of our little London date.
BOOZE (see also: Tate Modern members bar)
Catching the tube to London Bridge we warmed our mitts with a mug of mulled wine before heading on to Tate. One of our wedding presents was a 12 month membership and I lured Lovely Boy there on the promise of a drink at the sixth floor members bar. If we saw any art it was completely by accident. The two hours we spent there were passed sitting in rock star position against the windows where Lovely Boy sipped an ale and I had a fat glass of pink wine while we watched the snow roll in over St Paul's. If it wasn't already one of my favourite London views it would absolutely be now. It was low key and cool and breath-taking all at once. And by the time we left there was snow already settling.
BOROUGH
Heading back to Borough I took LB to Elliot's, an unpretentious, welcoming, busy restaurant on Stoney St a couple of doors down from Monmouth. I've never been for breakfast - Tor has - but she took me here late last year for a pre-wedding, carb-free, supper. We ate four different entrees from a menu dictated by the freshest produce available at the market that day and washed it down with a big glass of wine. It was a great date. And one I wanted to have again - with Lovely Boy. And boy did it not disappoint. Fried squid with mouthwatering black spelt, homemade garlic flatbread, charcuterie and cheesy cauliflower. All before the kind of hot chocolate cake with butterscotch sauce and homemade vanilla ice cream that leaves you both rapturous and lost for words. I'll be going again. I suspect Lovely Boy will be too.
B is for... SNOW?
OK obviously B is not for snow but in the interests of a linear narrative snow needs to come next so suck it up and read on...
Well, really, there isn't much else to say except that it snowed and it was exciting and by the time we got home we looked like a Mr and Mrs pair of snowpeople. Until we started to melt. And then drip. But still, there is something so inherently joyous about snow. I don't know if it's the novelty factor of seeing your street turn into a monochrome canvas of white, if it's the gratitude for distraction from the just-plain-old-grey cold or if it's the satisfying squeaky scrunch of footprints that break that beautiful pervading quiet that comes with snowfall. Perhaps it's just seeing your husband declare his love for you in the middle of the road.
BLUEBERRY PANCAKES
The first time Lovely Boy cooked me pancakes I was so hungover I was probably still drunk. I'd arrived home at 3.30am, unable to articulate and sliding along the walls with a rare lucid gratitude for their capacity to keep me upright. That was Hen's Party Version London. And I think that's where blueberry pancakes as my new breakfast happy places comes from. Even when I'm full to bilious I still have to eat until there's nothing left. But I do draw the line at licking the plate if that's any consolation....
BUDGET
Welcome to Misery Sunday. Try though they might, not even the blueberry pancakes could stave off the depression that came with sitting down to do a grown up version of a budget only to discover that when it comes to my financial situation, income - expenses = balance........ EQUALS NOTHING. The spreadsheet would have cried with me if I'd added in expensive face cream, occasional flowers and my bi-monthly purchase of Chanel's espresso-coloured waterproof eyeliner.
Things are about to change drastically around here if we are to have any hope of travelling anywhere this year that's not simply to and from work. It's kind of depressing. And the kind of grown up that is frankly B for boring and far from fun. So thank goodness for free tickets to Grayson Perry next weekend?..... I wonder if that reason is on the vase somewhere....
Whatever the case it's time to get fiscally creative.
Lovely Boy and I had a date on Saturday afternoon. More an attempt to re-engage with life in London than re-kindle any lost in the early days of marriage romance, we ventured out on Saturday afternoon with a plan....
BRITISH MUSEUM (see also: Perry, Grayson)
First stop was the British Museum. I've been wanting to take Lovely Boy to see the Grayson Perry exhibition since I saw it last year and this week I managed to wangle some free tickets and so we were off. And we were off, dressed in all our finest fleecy layers, anticipating the forecasted snow. But so, it turned out, was everybloodyone else.
As his teddy bear Alan Measles, Perry writes a very sardonic, very funny blog that takes pointed aim at the fatuousness of much of the art/celebrity world and there's a beautiful vase in his exhibition, titled You Are Here (2011) that lampoons the myriad reasons why people might flock to his show. Whatever their reason of choice on Saturday, it was so busy that despite our free tickets we couldn't get in. And so we've had to raincheck it for next Saturday. Which takes care of next week's date....
 |
| Grayson Perry, You Are Here, 2011. (detail below) Image courtesy: Victoria Miro |
But because we were there, and because Lovely Boy had never been beyond the gift shop on a lunch break, and because the last time I was there I was an awkward, chubby, homesick teenager, we decided to have a wander. We spent maybe an hour perusing the sculptures in the Greek halls before heading up to the fourth floor to ogle the Egyptian mummies. And then having had enough of that we headed on to the next part of our little London date.
BOOZE (see also: Tate Modern members bar)
BOROUGH
Heading back to Borough I took LB to Elliot's, an unpretentious, welcoming, busy restaurant on Stoney St a couple of doors down from Monmouth. I've never been for breakfast - Tor has - but she took me here late last year for a pre-wedding, carb-free, supper. We ate four different entrees from a menu dictated by the freshest produce available at the market that day and washed it down with a big glass of wine. It was a great date. And one I wanted to have again - with Lovely Boy. And boy did it not disappoint. Fried squid with mouthwatering black spelt, homemade garlic flatbread, charcuterie and cheesy cauliflower. All before the kind of hot chocolate cake with butterscotch sauce and homemade vanilla ice cream that leaves you both rapturous and lost for words. I'll be going again. I suspect Lovely Boy will be too.
B is for... SNOW?
OK obviously B is not for snow but in the interests of a linear narrative snow needs to come next so suck it up and read on...
Well, really, there isn't much else to say except that it snowed and it was exciting and by the time we got home we looked like a Mr and Mrs pair of snowpeople. Until we started to melt. And then drip. But still, there is something so inherently joyous about snow. I don't know if it's the novelty factor of seeing your street turn into a monochrome canvas of white, if it's the gratitude for distraction from the just-plain-old-grey cold or if it's the satisfying squeaky scrunch of footprints that break that beautiful pervading quiet that comes with snowfall. Perhaps it's just seeing your husband declare his love for you in the middle of the road.
BLUEBERRY PANCAKES
The first time Lovely Boy cooked me pancakes I was so hungover I was probably still drunk. I'd arrived home at 3.30am, unable to articulate and sliding along the walls with a rare lucid gratitude for their capacity to keep me upright. That was Hen's Party Version London. And I think that's where blueberry pancakes as my new breakfast happy places comes from. Even when I'm full to bilious I still have to eat until there's nothing left. But I do draw the line at licking the plate if that's any consolation....
BUDGET
Welcome to Misery Sunday. Try though they might, not even the blueberry pancakes could stave off the depression that came with sitting down to do a grown up version of a budget only to discover that when it comes to my financial situation, income - expenses = balance........ EQUALS NOTHING. The spreadsheet would have cried with me if I'd added in expensive face cream, occasional flowers and my bi-monthly purchase of Chanel's espresso-coloured waterproof eyeliner.
Whatever the case it's time to get fiscally creative.
Tuesday, 25 October 2011
BE THE DRESS
It's been a turbulent, rather distressing, couple of weeks. I suppose it was inevitable.
Wedding folklore dictates that someone, sooner or later, will become a nightmare. I guess I just always thought it would be me. Family dramas have been centre stage the last few weeks and the consequences haven't been pretty. Those that know me (and those with perceptive reading-between-the-lines ability who don't know me but who follow my ramblings), will concur that self-confidence has never been my strong suit. And that while my pale skin belies what is actually a bloody-minded resilience, it doesn't take much to make me wobble, however fleetingly, and question everything I've spent the last five years consciously counter-acting. Basic instincts that whisper insistently that I'm not special, that I'm not beautiful, that people will reject me, that I'm not perfect, that I don't deserve good things and good people in my life.
I don't regret my choices or paths - they have got me to where I am today in however a roundabout fashion - but the muddy path to this point now, where I am overwhelmed and humbled and excited by the love and goodness and possibility in my life, well sometimes it all still feels freshly trodden.
So let's just say there's been an inadvertent detour back down some of those roads the last two weeks. But I feel like I'm nearly back to me. And us. Poor Lovely Boy has been out in his own wilderness while I've struggled with all this emotional shit but thinking about the wedding, talking with friends and family, ticking fun things off our list like "Buy Lovely Boy A Suit" and "Post The Bloody Invitations Already" are helping to bring things back to where they were. That and my new mantra. Be The Dress.
I had my first fitting a couple of weeks ago and it verged on the disastrous. A make up stain that said "someone else has tried on this dress which happens to in fact be mine already so WHAT THE FUCK?!" didn't help, nor did said missing confidence or the overwhelming reality of wearing this dress during an enormously important, highly emotional, very public, almost certain to be photographed moment in my life. It was all a bit much so thank god for the presence of sensible, patient mothers and the supportive, reassuring words of dear girlfriends. Basically the dress out-psyched me. And now I have to be the dress.
Before I even knew what I wanted I knew I wanted a dress that was several things: glamorous, sexy, different, confident and effortless. It was an ambitious brief and to be honest, one I didn't think I'd ever fill. But I have. Effortlessly in fact. And now, I have to Be The Dress. I have to be all those things for myself. Because I'm never going to get this time again and I'm sensible enough (just...) to not let a frock or a family drama get the better of me.
What's funny though, thinking back over the last two weeks, is how much art I've sought out. Let me explain.
Five years ago I was in a pretty dark place. I was also in London visiting my sister. And one afternoon I traipsed all over the city with an old friend who also happened to be in town, seeing all kinds of art at Tate Modern, in the east end and somewhere else I can't remember and the things I saw inspired me - I felt giddy, happy, sad, uncomfortable, inspired, amazed and curious. And the experience set me free. I appreciate it might sound totally ridiculous but realising that art could make me feel these things made me realise that my feelings were just feelings - and not me. I felt sad, I myself wasn't sad. I felt lost, I myself wasn't lost. These were my feelings but these too would pass in time. They didn't define me and they weren't a permanent part of me. It was a ridiculously small revelation but it changed my life. And I sobbed for hours with relief at the realisation. Much to the consternation of my sister I might add.
There's been quite a bit of sobbing the last two weeks too but in traipsing around Frieze, visiting the Pipilotti Rist exhibition at the Hayward, sitting in the dark Turbine Hall of Tate watching Tacita Dean's new commission FILM, well it steadied me somehow. It's not art therapy - it's just another way of looking at and coping with life. For me anyway.
Pierre Huyghe's Reflection - a hermit crab taken up residence in a cast of Brancusi's bronze Sleeping Muse from 1910 - was whimsical and strangely poetic, I like the idea of art as a place of refuge, while Pipilotti Rist's chandelier of knickers was cheerful and intimate and celebratory.
And Tacita Dean's FILM was just a lovely visual balm. Gentle, strangely hypnotic, free of intellectual taxation. The perfect place to sit in the dark with a friend and talk of home and homesickness and the restorative powers of accessories and red wine.
It's only Monday but I'm exhausted. A poor nights sleep meant the imbibing of Red Bull at 9.30am this morning and a Milky Way and a diet coke at 4.30pm but hopefully I will sleep soundlessly tonight. No dreams of weddings, no dreams of drama, no dreams of Downton Abbey.
Wedding folklore dictates that someone, sooner or later, will become a nightmare. I guess I just always thought it would be me. Family dramas have been centre stage the last few weeks and the consequences haven't been pretty. Those that know me (and those with perceptive reading-between-the-lines ability who don't know me but who follow my ramblings), will concur that self-confidence has never been my strong suit. And that while my pale skin belies what is actually a bloody-minded resilience, it doesn't take much to make me wobble, however fleetingly, and question everything I've spent the last five years consciously counter-acting. Basic instincts that whisper insistently that I'm not special, that I'm not beautiful, that people will reject me, that I'm not perfect, that I don't deserve good things and good people in my life.
I don't regret my choices or paths - they have got me to where I am today in however a roundabout fashion - but the muddy path to this point now, where I am overwhelmed and humbled and excited by the love and goodness and possibility in my life, well sometimes it all still feels freshly trodden.
So let's just say there's been an inadvertent detour back down some of those roads the last two weeks. But I feel like I'm nearly back to me. And us. Poor Lovely Boy has been out in his own wilderness while I've struggled with all this emotional shit but thinking about the wedding, talking with friends and family, ticking fun things off our list like "Buy Lovely Boy A Suit" and "Post The Bloody Invitations Already" are helping to bring things back to where they were. That and my new mantra. Be The Dress.
I had my first fitting a couple of weeks ago and it verged on the disastrous. A make up stain that said "someone else has tried on this dress which happens to in fact be mine already so WHAT THE FUCK?!" didn't help, nor did said missing confidence or the overwhelming reality of wearing this dress during an enormously important, highly emotional, very public, almost certain to be photographed moment in my life. It was all a bit much so thank god for the presence of sensible, patient mothers and the supportive, reassuring words of dear girlfriends. Basically the dress out-psyched me. And now I have to be the dress.
Before I even knew what I wanted I knew I wanted a dress that was several things: glamorous, sexy, different, confident and effortless. It was an ambitious brief and to be honest, one I didn't think I'd ever fill. But I have. Effortlessly in fact. And now, I have to Be The Dress. I have to be all those things for myself. Because I'm never going to get this time again and I'm sensible enough (just...) to not let a frock or a family drama get the better of me.
What's funny though, thinking back over the last two weeks, is how much art I've sought out. Let me explain.
Five years ago I was in a pretty dark place. I was also in London visiting my sister. And one afternoon I traipsed all over the city with an old friend who also happened to be in town, seeing all kinds of art at Tate Modern, in the east end and somewhere else I can't remember and the things I saw inspired me - I felt giddy, happy, sad, uncomfortable, inspired, amazed and curious. And the experience set me free. I appreciate it might sound totally ridiculous but realising that art could make me feel these things made me realise that my feelings were just feelings - and not me. I felt sad, I myself wasn't sad. I felt lost, I myself wasn't lost. These were my feelings but these too would pass in time. They didn't define me and they weren't a permanent part of me. It was a ridiculously small revelation but it changed my life. And I sobbed for hours with relief at the realisation. Much to the consternation of my sister I might add.
 |
| Inside Frieze Art Fair, 2011 |
 |
| Pierre Huyghe, Reflection, 2011. Frieze Projects |
 |
| Pipilotti Rist's underpants fairy lights on the Southbank |
 |
| Video art in the loo at the Hayward... |
 |
| Pipilotti Rist, Massachusetts Chandelier, 2010 |
And Tacita Dean's FILM was just a lovely visual balm. Gentle, strangely hypnotic, free of intellectual taxation. The perfect place to sit in the dark with a friend and talk of home and homesickness and the restorative powers of accessories and red wine.
 |
| Tacita Dean, FILM, 2011, Unilever Series Commission, Turbine Hall, Tate Modern |
Friday, 14 October 2011
A few of my favourite things
It's been a difficult couple of days but having resolved that narcissism is only tolerable when it's cheerful I'm going to blithely and merrily reflect instead on some of the lovely, shiny, sunny, happy events of the last few weeks and write myself a list of Things I Like In No Particular Order.
1. Sunshine
The last week of September was unseasonally beautiful here in grubby, grey old London. And by unseasonally beautiful I mean seven solid uninterrupted days of 28 degrees and blue skies and skirts and sandals and sunscreen. It was a gift from the God I don't believe in. Though I have to confess that there was something slightly disconcerting about leaving the house in a t-shirt in early October when it should be covered by another layer or two. I just couldn't shake that strange sensation that something about my ensemble wasn't right - you know, that foolish feeling you get AFTER someone tells you that you've spent the last four hours with your skirt tucked into your decidedly sensible underpants. That feeling.
2. Art
I am Very Excited about a number of exhibitions here in London - opened, opening and still to come - and have a list (yes, another one) of all the shows I'm going to see in the next six months. Grayson Perry at the British Museum, Pipilotti Rist at the Hayward, Yayoi Kasuma at Tate Modern in February, Gillian Wearing at Whitechapel in March. Excited, inspired, ready to get arty. Recent exhibition loves include Taryn Simon's masterpiece, also at Tate Modern and Ron Arad's Curtain Call at the Roundhouse.
3. Art and cocktails
I love great art, I love it even more when it comes with alcohol. The last Friday of every month usually means late night openings at most of the big institutions in London and last month I met my lovely ex-flatmate Katie at the V&A for some sitting and drinking in the balmy weather before a stroll through their new show 'Postmodernism: Style and Subversion 1970 - 1990'. The exhibition was ok. I loved the coathanger gorilla in the 'Power Of Making' show more.
4. Theatre dates.
I love a good theatre date and the next day in fact I took in a matinee (and some well-earned air conditioning) at the Trafalgar Studios with the lovely Nina. The play, Top Girls, was a recommendation from my mother-in-law-to-be and it was a brilliant production but I did find it disconcerting that a fucked economy, a post-feminist society and a world class education that has set me up to think I can have it all left me confused about which character I empathised most with. I blame a particularly sympathetic portrayal of the Thatcher-esque anti-hero. I love a complex play. I also love dissecting said complexities at Gordon's wine bar with a cheeky half bottle of pink wine in the warmth. Heaven.
5. Pedicures
I love pedicures, I love shiny painted toes, I love decadence. I also love, love, love visits from home. Mum and Max had a week in London at the end of a two-week Spanish adventure, and I took the time off work to spend it with them and Just Because I Could, I booked us a day at the ridiculously fabulous spa at Brown's Hotel on Albemarle St. This place manages to be both super posh and super fabulous. Mark Hix has opened a branch of his restaurant here and the hotel is famous not only as the place from where Alexander Graham Bell made his first UK phone call, but also because Rudyard Kipling wrote The Jungle Book while staying here.
But it was the 'seasonal pedicure' that really sold it for me. Changing throughout the year (as is generally inferred by the use of the word 'seasonal'), this magical experience sees in-season and other organic ingredients (ginger, rose petals, sea salt etc. etc.) incorporated into each step of the pampering process - the hot milk soak, the leg scrub, the moisturising mask. All this before what can only be described as the best paint job of my life.
6. Pedicures and cocktails
Did I mention it came with a matching complimentary cocktail? Peach bellini to match your polish, anyone?
7. Paris
We had two days in London (which included a traumatic fitting for The Dress that is another post for another time) before heading to Paris. J'adore Paris. Maman et moi adore Paris. Two years ago we had a decidedly girly trip to the city of love. This time we had Max's company and while not as girly it was just as delightful and thanks to Max's graciousness it also involved no less 'window-licking' than last time.
I love travelling with parentals - it means champagne at lunch and creme brulee for brunch. This time around it has also meant lots of cuddles and talk of Nan and home and a summer I am counting down the weeks for (nine as of tomorrow). We wandered about, we ate good food, we took in the Musee D'Orsay before taking shelter from the rain at the delicious Le Cinq Mars. Even though my laptop got left in the taxi from Gard du Nord and there were four hours where my only consoling thought was one of thanks to my brother and fiancee for teaching me about the importance of backing up before it was returned with a 26 Euro fee, it was STILL a lovely three days.
8. Pintxos
I love the kind of travel where you wake up in say, Paris, only to rest your head that night in say, San Sebastian. Lovely Boy joined us for the second leg of Parent Week and we had a flying 36 hours in this totally charming seaside city in Spanish Basque territory where we again ate and wandered and ate some more. We promenaded, we took in the breathtaking view post-furnicular ride and in the evening we partook of a pintxos tasting tour. Two guides, five bars, six Americans, the four of us and some of the most fantastic food and wine I've had in a while. The gin and tonics that came in balloon glasses the size of my head at the end of the night probably were unnecessary but the whole experience was fantastic and just such a great way to get a sense of a city.
9. Puppies
Ok. I should clarify. I like puppies made of flowers. I like puppies made of flowers made by Jeff Koons. I especially like said puppies when they're tethered to the forecourt of the spectacular Gehry-designed Guggenheim Bilbao. It was like being back amongst friends - Kutlug Ataman's Kuba, Mona Hatoum's Current Disturbance, Louise Bourgeois' big spider and a room full of Richard Serra steel sculptures. This was a favourite. Undulating, perception-altering corten steel structures that swallowed you as you wound your way through and into them but not in an aggressive or threatening way, as you might imagine with such a masculine, heavy material. It felt disconcerting but at the same time familiar and maternal. They were really quite extraordinary - both for their size and the sheer volume of them. It was a puppy perfect ending to a great weekend.
10. Lunch with my ladies
Monday just gone and my last day of holidays before Mum and Max left for Sydney. What better excuse than that for lunch with my dear friend and my dear Maman. Another stellar recommendation from Tor, the three of us went to the Ridinghouse Cafe on Great Titchfield Street and talked relationships, eyelashes, weddings and denim. The company, like the sorbet, was exquisite.
11. Weekends
Tomorrow is Friday and I am counting down the hours until the weekend. I have a hair appointment on Saturday, a date to collect The Dress, dinner plans at Gordon Ramsey's new restaurant and a Sunday work trip to Frieze Art Fair. I've always avoided the fair like the plague, there being something unappetising to me about paying 30 pounds to be trampled by crowds looking at art no-one normal can afford to buy. But curiosity - and free tickets - have got the better of me. And I'm quite looking forward to it. And if the need so arises, I may yet write another list.
1. Sunshine
The last week of September was unseasonally beautiful here in grubby, grey old London. And by unseasonally beautiful I mean seven solid uninterrupted days of 28 degrees and blue skies and skirts and sandals and sunscreen. It was a gift from the God I don't believe in. Though I have to confess that there was something slightly disconcerting about leaving the house in a t-shirt in early October when it should be covered by another layer or two. I just couldn't shake that strange sensation that something about my ensemble wasn't right - you know, that foolish feeling you get AFTER someone tells you that you've spent the last four hours with your skirt tucked into your decidedly sensible underpants. That feeling.
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| The inner courtyard at the V&A |
2. Art
I am Very Excited about a number of exhibitions here in London - opened, opening and still to come - and have a list (yes, another one) of all the shows I'm going to see in the next six months. Grayson Perry at the British Museum, Pipilotti Rist at the Hayward, Yayoi Kasuma at Tate Modern in February, Gillian Wearing at Whitechapel in March. Excited, inspired, ready to get arty. Recent exhibition loves include Taryn Simon's masterpiece, also at Tate Modern and Ron Arad's Curtain Call at the Roundhouse.
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| Inside Yayoi Kasuma's The Gleaming Lights of the Souls, 2008 Liverpool Biennial. |
3. Art and cocktails
I love great art, I love it even more when it comes with alcohol. The last Friday of every month usually means late night openings at most of the big institutions in London and last month I met my lovely ex-flatmate Katie at the V&A for some sitting and drinking in the balmy weather before a stroll through their new show 'Postmodernism: Style and Subversion 1970 - 1990'. The exhibition was ok. I loved the coathanger gorilla in the 'Power Of Making' show more.
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| David Mach RA, King Silver, 2011 |
4. Theatre dates.
I love a good theatre date and the next day in fact I took in a matinee (and some well-earned air conditioning) at the Trafalgar Studios with the lovely Nina. The play, Top Girls, was a recommendation from my mother-in-law-to-be and it was a brilliant production but I did find it disconcerting that a fucked economy, a post-feminist society and a world class education that has set me up to think I can have it all left me confused about which character I empathised most with. I blame a particularly sympathetic portrayal of the Thatcher-esque anti-hero. I love a complex play. I also love dissecting said complexities at Gordon's wine bar with a cheeky half bottle of pink wine in the warmth. Heaven.
5. Pedicures
I love pedicures, I love shiny painted toes, I love decadence. I also love, love, love visits from home. Mum and Max had a week in London at the end of a two-week Spanish adventure, and I took the time off work to spend it with them and Just Because I Could, I booked us a day at the ridiculously fabulous spa at Brown's Hotel on Albemarle St. This place manages to be both super posh and super fabulous. Mark Hix has opened a branch of his restaurant here and the hotel is famous not only as the place from where Alexander Graham Bell made his first UK phone call, but also because Rudyard Kipling wrote The Jungle Book while staying here.
But it was the 'seasonal pedicure' that really sold it for me. Changing throughout the year (as is generally inferred by the use of the word 'seasonal'), this magical experience sees in-season and other organic ingredients (ginger, rose petals, sea salt etc. etc.) incorporated into each step of the pampering process - the hot milk soak, the leg scrub, the moisturising mask. All this before what can only be described as the best paint job of my life.
6. Pedicures and cocktails
Did I mention it came with a matching complimentary cocktail? Peach bellini to match your polish, anyone?
7. Paris
We had two days in London (which included a traumatic fitting for The Dress that is another post for another time) before heading to Paris. J'adore Paris. Maman et moi adore Paris. Two years ago we had a decidedly girly trip to the city of love. This time we had Max's company and while not as girly it was just as delightful and thanks to Max's graciousness it also involved no less 'window-licking' than last time.
I love travelling with parentals - it means champagne at lunch and creme brulee for brunch. This time around it has also meant lots of cuddles and talk of Nan and home and a summer I am counting down the weeks for (nine as of tomorrow). We wandered about, we ate good food, we took in the Musee D'Orsay before taking shelter from the rain at the delicious Le Cinq Mars. Even though my laptop got left in the taxi from Gard du Nord and there were four hours where my only consoling thought was one of thanks to my brother and fiancee for teaching me about the importance of backing up before it was returned with a 26 Euro fee, it was STILL a lovely three days.
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| Notre Dame - five minutes walk from our hotel. |
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| The bridge of locks. |
8. Pintxos
I love the kind of travel where you wake up in say, Paris, only to rest your head that night in say, San Sebastian. Lovely Boy joined us for the second leg of Parent Week and we had a flying 36 hours in this totally charming seaside city in Spanish Basque territory where we again ate and wandered and ate some more. We promenaded, we took in the breathtaking view post-furnicular ride and in the evening we partook of a pintxos tasting tour. Two guides, five bars, six Americans, the four of us and some of the most fantastic food and wine I've had in a while. The gin and tonics that came in balloon glasses the size of my head at the end of the night probably were unnecessary but the whole experience was fantastic and just such a great way to get a sense of a city.
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| San Sebastian old town |
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| Looking down over San Sebastian. |
9. Puppies
Ok. I should clarify. I like puppies made of flowers. I like puppies made of flowers made by Jeff Koons. I especially like said puppies when they're tethered to the forecourt of the spectacular Gehry-designed Guggenheim Bilbao. It was like being back amongst friends - Kutlug Ataman's Kuba, Mona Hatoum's Current Disturbance, Louise Bourgeois' big spider and a room full of Richard Serra steel sculptures. This was a favourite. Undulating, perception-altering corten steel structures that swallowed you as you wound your way through and into them but not in an aggressive or threatening way, as you might imagine with such a masculine, heavy material. It felt disconcerting but at the same time familiar and maternal. They were really quite extraordinary - both for their size and the sheer volume of them. It was a puppy perfect ending to a great weekend.
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| Jeff Koons, Puppy, 1992 |
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| Richard Serra |
10. Lunch with my ladies
Monday just gone and my last day of holidays before Mum and Max left for Sydney. What better excuse than that for lunch with my dear friend and my dear Maman. Another stellar recommendation from Tor, the three of us went to the Ridinghouse Cafe on Great Titchfield Street and talked relationships, eyelashes, weddings and denim. The company, like the sorbet, was exquisite.
11. Weekends
Tomorrow is Friday and I am counting down the hours until the weekend. I have a hair appointment on Saturday, a date to collect The Dress, dinner plans at Gordon Ramsey's new restaurant and a Sunday work trip to Frieze Art Fair. I've always avoided the fair like the plague, there being something unappetising to me about paying 30 pounds to be trampled by crowds looking at art no-one normal can afford to buy. But curiosity - and free tickets - have got the better of me. And I'm quite looking forward to it. And if the need so arises, I may yet write another list.
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